You may even consider it a blessing that the film can’t sustain the frowning moral conservatism of the AIDS-era Fatal Attraction instead, we witness the director cackling – loudly, maybe reassuringly – as the girls threaten to out Evan as a paedophile, and a punchline that sniggers at the way our nightmares have shifted over recent decades from the private to the public domain. Roth remains among our brighter shock merchants possibly we love to hate his films as we hate to love those of, say, Lars von Trier – because they draw us in as they do) Yet the infrastructure sustaining it – a clever deployment of tensions specific to the Uber app (a mainstream first), one eerily positioned overhead shot establishing the house’s isolation, the tantalising hints this could all be a bad dream – stands as uncommonly sound. (His final scenes recall his deathless Jonathan Harker, which is entertainment of a kind.)Īs a vision, Knock Knock remains pretty grim: the man’s an easily-led dupe who gets what he deserves, the women shape-shifting temptresses. Keanu, attempting more acting than the recent John Wick demanded, is less certain: he’s nicely courtly when shrugging off the girls’ initial advances, and it’s amusing seeing his inner Theodore Logan reawaken when the flirtation moves up (or down) a notch, but he gets hysterical during the morning-after parenting job. Izzo and de Armas, afforded greater screen time than Hostel’s harpies, actually prove the film’s most valuable players, shuffling through multiple wardrobe changes, each time re-entering as different kinds of little monsters. “I like building up the anticipation,” Reeves declares while unwrapping his presents, and his director may now feel similarly inclined: the gorehound of yore here reveals a new-found attention to script nuance and other varieties of kink.) The film’s a judicious tease: for much of the first half, we’re anticipating hot three-way action, yet for once, Roth appears less interested in the big bang than he is in the initial tremors, and their possible repercussions. After a sinuous opening tracking shot, we’re largely left in situ watching the girls playing Evan for a fool: cooing upon discovering his DJ past, marvelling at his muscle tone. What starts out as a kind gesture results in a dangerous seduction and a deadly game of cat and mouse." 'Knock Knock' is currently available to rent, purchase, or stream via subscription on DIRECTV, Microsoft Store, Google Play Movies, Amazon Video, AMC on Demand, Vudu, Spectrum On Demand, YouTube, and Apple iTunes. Here's the plot: "When a devoted husband and father is left home alone for the weekend, two stranded young women unexpectedly knock on his door for help. You probably already know what the movie's about, but just in case. Released January 23rd, 2015, 'Knock Knock' stars Keanu Reeves, Lorenza Izzo, Ana de Armas, Aaron Burns The R movie has a runtime of about 1 hr 39 min, and received a user score of 53 (out of 100) on TMDb, which put together reviews from 2,698 well-known users. Now, before we get into the nitty-gritty of how you can watch 'Knock Knock' right now, here are some details about the UFA, Dragonfly Entertainment, Black Bear Pictures, Sobras International Pictures, Elevated Films, Camp Grey, Lionsgate Premiere, Movie Trailer House, Rogovin Brothers horror flick. Read on for a listing of streaming and cable services - including rental, purchase, and subscription alternatives - along with the availability of 'Knock Knock' on each platform when they are available. Want to watch ' Knock Knock' in the comfort of your own home? Tracking down a streaming service to buy, rent, download, or view the Eli Roth-directed movie via subscription can be a challenge, so we here at Moviefone want to do the work for you.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |